This room functions as a footnote to the installation. Duchamp's notes were integral to any understanding of The Large Glass. The type face in the room was created by digitally scanning Duchamp's notes and through use of various computer software, manipulated into a type font which could be typed out with the same ease as any computer type face. This font Has also been uploaded to the internet (America Online) and the use on mundane projects is encouraged (i.e. Garage Sale flyers). Duchamp's concept of a "Ready-made" was to (indifferently) select an object, with no aesthetic appeal and by this choice, the object is as valid as any Created artwork. He also suggested that a reverse ready-made could be accomplished by making an ironing board out of a Rembrandt. This font would be a reverse ready-made in the sense that the notes of Duchamp, which would be considered a valuable art commodity in any Art Market, are transformed into an easily duplicated, egalitarian font which could be used for the most mundane desktop publishing endeavor.